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Highlights: Napoleon on the Nile -- Soldiers, Artists, and the Rediscovery of Egypt
Highlights: Napoleon on the Nile -- Soldiers, Artists, and the Rediscovery of Egypt

Dahesh Museum of Art
580 Madison Avenue, New York, NY
Extended through December 31, 2006
Tel: 212.759.0606 or visit www.daheshmuseum.org



Highlights: Napoleon on the Nile -- Soldiers, Artists, and the Rediscovery of Egypt
Jean-Léon Gérôme (French, 1824-1904), Napoleon in Egypt. Oil on oak panel, 35.8 x 25 cm. Princeton University Art Museum. Photography by Bruce M. White.

Highlights: Napoleon on the Nile -- Soldiers, Artists, and the Rediscovery of Egypt
Charles-Louis-Fleury Panckoucke (French, 1780-1844) Monuments of Egypt, ca. 1821-24. Private collection.

Described by the New York Times as "an engrossing exhibition" and included by the Village Voice in its "Best in Show" section, Napoleon on the Nile has proven so popular its end-date has been extended. The multi-volume Description de l'Egypte remains the single most important European scholarly study of ancient and modern Egypt. Initiated under the patronage of the young General Napoleon Bonaparte as he invaded Egypt in 1798, and completed in 1829 during the reign of King Charles X, the Description was one of the most significant consequences of the France's short military occupation of Egypt (1798-1801). Its large, magnificent plate illustrations influenced the course of Western fine and decorative arts for two centuries and through "Egyptomania" and "Orientalism" and also provided the foundation for the modern discipline of Egyptology. The private collection of Professor Robert Brier (C. W. Post Campus of Long Island University), Egyptologist and host of the TLC series, The Great Egyptians, contains both bound and unbound versions of the Description and these plates form the core of the exhibition. In addition, Dahesh Museum curator Lisa Small selected letters, documents, medals, decorative artworks, maps, and prints from the Brier collection to complement the plates.


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