William Zorach
Born Lithuania, 1887
Died Maine, 1966

A native of Lithuania, William Zorach and his family immigrated to the United States when he was four years old. The Zorach family settled in Cleveland, Ohio where young William began grade school. During this time of development, he displayed exceptional talent in the arts. His talents were so impressive that his seventh grade teacher recommended that he study painting at night with Henry Keller at the Cleveland School of Arts (1903-1905). William progressed so rapidly that he was soon apprenticed at the Lithography Company of Cleveland (1903-1906). By the time he was twenty, he not only mastered his trade but he earned enough money to finance his education at the National Academy of Design in New York.

At the academy, William won several awards for his drawings and paintings. In 1910, he went abroad to study art in Paris at Jacques-Emile Blanche's atelier. During his time abroad, he exhibited some of his earliest paintings at the Salon de Automne. In Paris, he met Marguerite Thompson, a California native and fellow painter, who later became his wife. Soon after marriage, the couple settled into a New York studio. Their work was accepted in the famous Sixty-Ninth Regimental Armory Show of 1913. The show was a milestone in helping to reconstruct many American ideals about art.

In 1923, William and Marguerite settled on a farm in Maine. William achieved incredible success in the latter part of his career. He continued to sculpt and was soon considered one of the country's finest artists. He received numerous commissions and exhibited his work in the nation's premier institutions including the Art Institute of Chicago, Dallas Museum of Fine Art, McNay Art Institute and the Whitney Museum of American Art.

Works Held: Museum of Modern Art; Boston Museum of Fine Arts; Brooklyn Museum; Cleveland Museum of Arts; Whitney Museum of American Art; Art Institute of Chicago; Phillips Memorial Gallery; Berkshire Museum; Newark Museum, New Jersey; "The Spirit of Dance" Radio City Music Hall, New York City; Shelburne Museum, Vermont; Wichita Art Museum, Kansas; Norton Gallery Art; Swope Art Gallery; Munson-Williams Proctor Institution; Los Angeles Museum of Art; Federal Art Project of the Works Progress Administration statue; United States Post Office Building, Washington, DC; Mayo Clinic.

Exhibitions: Salon d'Automne, 1911; Taylor Art Gallery, Cleveland, 1912; Amory Show, 1913; Society of Independent Artists, 1917-18, 1922, 1929, 1941; Dayton Art Institute, solo, 1922; University of Rochester solo, 1924, solo 1941; C.W. Kraushaar, solo 1924; Art Institute of Chicago, 1926-49; Whitney Museum of American Art biennials, 1928-66; Downtown Gallery, New York, 1931; Pennsylvania Academy of Fine Arts, 1933-66; Architecture League of America. (prize 937); Dallas Museum of Fine Art, solo, 1945; Mc Nay Art Institute, solo, 1956; Bowdoin College Museum of Art, solo, 1958; Queens College, New York, 1961; Columbus Gallery of Fine Art; Cincinnati Contemporary Art Club; ; Salons of America.

Further Reading: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Vol. 3. Peter Hastings Falk, Georgia Kuchen and Veronica Roessler, eds., Sound View Press, Madison, Connecticut, 1999. 3 Vols. (Original Listing 1940); The Illustrated Biographical Encyclopedia of Artists of the American West, Peggy and Harold Samuels, Doubleday & Company, Inc., Garden City, New York, 1976.

Biography courtesy of David Cook Galleries, www.antiquesandfineart.com/davidcook